OK I have to admit it: MegaMix 35 is not all bad. Reggae-merengue Estoy Enamorao by Colombian Grupo BIP could have been perfect if not for annoying voice distortion. But... Zumbified 99 Luftballons? Seriously?
After the brilliant ZIN 43, this one is a let-down. Watching Beto (in pyjamas) and Gina (in some sort of Elastigirl outfit) live in Dublin, I feel nothing but respect... for Tanya. A true artist knows when to stop.
The music, apart from El Gato Boogaloo by Sonora Carruseles and Llora Llora which is a cover of Oscar D’León’s Llorarás, is forgettable. Both live and one-on-one versions of In the Summertime are actually rather funny, in a Muppet Show-ey way. It’s Oh So Quiet is embarrassingly bad. And I am still not sure that three different instructors for one-on-one is such a good idea.
ZIN 44 Song List
Meto Mano — Merengue — by Amarfis ☙
El Gato Boogaloo — Salsa — by Sonora Carruseles
Love Shack — Pop Rock *
Vamo a Baila — Calypso / Soca ◊
Gimme Five — Batucada / Bachata ◊
Llora Llora — Salsaton *
In the Summertime — Dancehall *
Ritmo Chido y Sabroso — Quebradita / Rock & Roll ◊
ZIN MegaMix 34 is full of covers, none of which is better (or significantly worse) than a corresponding original. Among them, ¿Por qué les Mientes? by Tito “El Bambino” El Patrón, Mambo Yo Yo by Ricardo Lemvo and Ain’t Nobody by Hawk Wolinski — or, rather, a cover of Alex Wilson’s salsa version of Ain’t Nobody. The warm-up (?) track The Reckoning, featuring the keyboard sounds last popular in the 1980s, is far too long (by Zumba standards) and repetitive (even by Zumba standards). If you want to incorporate some Latin electronica in your Zumba routine, you’d better check the quality stuff from Novalima or Bajofondo. I am not a big fan of reggaeton, but Rykitona by K.L.C. Clave Cubana is good.
There is no doubt that Zumba Fitness owes its success in significant part to its name. The story goes that the company’s co-founders Alberto “Beto” Perez, Alberto Aghion and Alberto Perlman, aka “three Albertos”, were deliberately trying to find a name which rhymes with “rumba”:
Their first stumbling block came when they went to trademark Rumbacize, a play off Jazzercise and rumba, which means to party in Spanish. They discovered Rumbacize had been covertly registered by the owner of a fitness club where Perez taught classes. So the three Albertos went to a Houston’s restaurant in North Miami Beach and brainstormed.
“Bumba. Cumba. We said everything trying to find something that rhymed with Rumba,” Perlman recalled. “Wumba. That sounded like something for pregnancy.”
They were getting nervous. Nothing sounded right.
“Then we got to Zumba,” Perlman said. “That’s it. We were excited.”
A nice story, that. They had to go all way down the alphabet until the last letter did the trick. The Zumba Fitness’ Trademark Usage Guide goes as far as to claim that
THE WORD ZUMBA® DOESN’T MEAN ANYTHING
The word ZUMBA® was coined by our company, and is an arbitrary or fanciful word we selected as the original brand name that identifies Zumba Fitness’ dance fitness programs and related products.
But did three Albertos really coin a new word? Of course not. They should have been well aware that there is a word zumba in Spanish. As a noun, it means “teasing”, “bashing”, or “beating”; zumba is also a form of the verb zumbar “to buzz”, “to hit”, “to tease”, “to nick”, or, surprise surprise, “to have sex”. Curiously enough, Zumba Fitness LLC urges us to never use the word “Zumba” as a noun or verb, only as an adjective. This is an absurd demand as it goes contrary to the already established usage. (“Are you going to Zumba?”, “Let’s Zumba” etc.)
But why is “Zumba” such a good name? I think the secret is that (a) it is short and (b) it is easy to pronounce. In particular, the sounds in “Zumba” are organised this way:
It is more important to be easily pronounceable than exotic. There is no need to travel far: we are literally surrounded by ⊏⊔⊓⊏⊔ words and names. Many languages, including English, favour them. There’s bound to be a neighbour called Cindy, Sandy, Mandy, Randy, Wendy or Monty. They eat candy or drink shandy. It’s windy today, it’s Sunday tomorrow. We like these words so much that we join them together in reduplications: hanky-panky, mingle-mangle, mumbo-jumbo, namby-pamby. It does not mean that if we like the name we have to like what the name stands for. (We may love pandas but hate mambas.) The reverse, however, is not true: the good cannot be given repelling name. (Even if Willy Wonka and his Oompa-Loompas annoy us, there is no way we’ll fall in love with Vermicious Knids.) “Fancy going to Zumba tonight?” You can’t say “no” to that. Wanna try Bokwa? Not so sure. What about Piloxing? Definitely not, it’s a horrible word.
A handy property of a good name is its ability to form nicely sounding compounds and portmanteaux. I would argue that the conditions (a) and (b) are necessary although not sufficient. It comes as no surprise that ⊏⊔⊓⊏⊔ words are good at that. Examples include Mamborama (“mambo” + “panorama”), Sambadrome (“samba” + “-drome”), Tanghetto (“tango” + “ghetto”), Biodanza (this one is kinda obvious)... Here Zumba is doing well too: Zumbatomic, Aqua Zumba, Zumbathon, even Zumba Green (a colour which I call “toxic yellow”). Now imagine what would happen if they still were called Rumbacize.
Posterous launched in 2008. Our mission was to make it easier to share photos and connect with your social networks. Since joining Twitter almost one year ago, we’ve been able to continue that journey, building features to help you discover and share what’s happening in the world – on an even larger scale.
On April 30th, we will turn off posterous.com and our mobile apps in order to focus 100% of our efforts on Twitter. This means that as of April 30, Posterous Spaces will no longer be available either to view or to edit.
Right now and over the next couple months until April 30th, you can download all of your Posterous Spaces including your photos, videos, and documents.
So that’s what I am doing. Watch this space, I’ll post the new blog location soon.
It’s been a while since I enjoyed Zumba’s audiovisual offerings that much. The live-in-Prague class with Donna Giffen and Walter Diaz is good! Their dancing styles are very different and, as with other ZIN double acts, the synchronisation at times is far from perfect. But, for the most part, their choreo is a pleasure to watch. And it is funny (not just funblastsizzlin’ insert your favourite Zumba cliché here). And where their routines get too complicated or, on the contrary, too repetitive, there Maria Browning picks it up in one-on-one class.
The music... is not bad either. Except for Zumba Loco, but one could guess that much from the title. (Why did they use it as a soundtrack for ZIN 43 Sneak Peek, is anyone’s guess.) I don’t really like synthpop but I have to applaud the Zumba’s take on A-ha’s hit Take on Me — brassy chorus replacing the annoying synth riff of the original, and especially the accelerating samba coda. A thumb or two up.
